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DescriptionDracorex Dinosaur Life Size Statue 14.5 FT
Step back in time and bring the enchantment of the prehistoric era into your space with the magnificent Dracorex Dinosaur Statue - standing an impressive 14.5 feet tall!
Named after the legendary "Dragon King from Hogwarts" in honor of the iconic Harry Potter series, this inspiring piece is a true testament to the marvels of ancient creatures. Crafted with meticulous attention to detail, this statue perfectly captures the essence of the Dracorex dinosaur, making it a striking addition to both indoor and outdoor settings.
Imagine the awe and wonder on the faces of your guests as they come face to face with this lifelike representation of a creature that once roamed the earth. The Dracorex's dome-shaped head with small horns, and intricate features bring a sense of realism that is sure to captivate all who lay eyes on it.
Hand-painted by skilled artisans and made out of resilient Resin and internally reinforced with durable Fiberglass, this museum-quality sculpture is designed to stand the test of time. The realistic details, vivid colors, and lifelike eyes make this Dracorex statue a true showstopper that will be the centerpiece of any space it graces.
Exclusively designed and distributed by The Interior Gallery, this unique piece is a must-have for any dinosaur enthusiast or collector. Don't miss your chance to own a piece of history and turn your space into a Jurassic wonderland with the Life Size Dracorex Dinosaur. Order now and let the magic of the past come alive in your atmosphere.
Features
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- Suitable for indoor and outdoor display.
- Made from durable Resin and reinforced internally with Fiberglass.
- Hand-painted for a realistic look.
- Easy to move and display.
Dimensions: 174" L x 33.5" W x 65" H
Weight: 180 lbs
* Note: If Displaying Outdoors, We Recommend Applying A Coat Of Polyurethane As Needed To Protect From Weathering
Designed and Exclusively Distributed by The Interior Gallery
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Composites fill the gaps in museum dinosaur skeletons
Bone or composite? Several of the dinosaurs on display at the Cincinnati Museum Centers Dinosaur Hall contain a mix of fossils excavated by the museums paleontology team and casted bones built and mounted by Research Casting International. Source | CW
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Dinosaur skeletons are never complete. Glenn Storrs, Ph.D., associate VP for collections and research and Withrow Farny Curator of vertebrate paleontology at the Cincinnati Museum Center (Cincinnati, Ohio, U.S.), adds that if you are able to dig up 50% or more of a dinosaurs bones out in the field, you can build a pretty accurate restoration.
Composite materials whose light weight, strength and other properties lend themselves to high-profile applications such as structural parts for commercial aircraft, wind turbine blades and pressure vessels for energy storage can also be used, it turns out, to fill gaps in the fossil record. In some cases, replicas also enable museums to display their specimens to the public, while the original bones are kept behind-the-scenes for research and study.
Back in the day and when I say that, I mean as far back as the s museums originally used plaster of paris, Storrs says. It was about 40 years ago that resins came into wider use.
For smaller bones and casts for exhibits within the museum plants or fish, for example museum staff use urethane foams to cast and sculpt the replicas themselves, says Dave Might, exhibits coordinator/artist at the Cincinnati Museum Center.
Almost complete. The skeleton for the Cincinnati Museum Center's Galeamopus was an almost complete skeleton, excavated by Glenn Storrs and his team. Research Casting International filled in the missing bones. Source | CW
Dinosaur bones and larger museum displays can pose a unique challenge, however. Although bones range in size, they can be massive, and any material replicating them must be light enough to be suspended in the air on a mounted display, and durable enough to last for many years. Depending on the size of the skeleton, we may need a strong, rigid exterior surface and hollow inside, Storrs says. He adds, A big, heavy piece of plastic wont work, and, frankly, wouldnt cure properly anyway. Composite materials, whether solid or foam-filled, are often able to fill these material needs.
Dave Might remembers the animals in the Ice Age exhibits, built decades ago for the Cincinnati museum a mastodon, a giant bison and others, now on display at the Cincinnati/Northern Kentucky International Airport that museum staff made casts for on-site using fiberglass composites. They even produced a large, fiber-reinforced lizard once, he recalls.
More recently, though, for the dinosaurs now on display in the museums Dinosaur Hall, the Cincinnati Museum Center, like many museums around the world, turned to a company called Research Casting International (RCI, Trenton, Ontario, Canada) for its fossil casts.
Molding and casting composite dinosaur bones
RCI operates a 50,000-square-foot facility in Ontario, Canada, alongside a 10,000-square-foot facility to store the companys roughly 15,000-20,000 molds from about 270 different dinosaur skeletons. The company does everything from aiding the museums in fossil digs, to molding and casting bones, to mounting the exhibits within the museums.
Making the molds. Technicians from RCI painstakingly build silicone molds of Bracchiosaurus vertebrae. Source | RCI
Matt Fair, general manager of operations at RCI, has been in the business of molding and sculpting dinosaur bones for 30 years, starting at RCI three years after the facility opened in . Sometimes, Fair says, a museum just needs to fill in missing bones that were not retrieved in the field excavation, such as the case with the Cincinnati Museum Centers Galeamopus skeleton, collected by Storrs and his team with almost 80% of fossils intact. RCI can use its vast collection of bone molds from other museum fossils to create a bone cast based on another skeleton of the same species.
Alternatively, some entire skeletons can be purchased off-the-shelf from RCI. For example, take Tyrannosaurus rexes, Fair says. There are only about 29 or so skeletons in the world, and thats not nearly enough for all of the museums and theme parks that want one. So we produce 100% composite T. rexes.
Off-the-shelf T. rex. This T. rex on display at the Royal Ontario Museum (Toronto, Ontario, Canada) is a 100% fiberglass/polyester replica built by RCI. Source | RCI
According to Fair, a typical dinosaur casting project takes about three months to complete if RCI already has a mold in stock for that species, and longer if the project requires fabrication of a new mold.
First, when needed, the company helps in the collection of fossils in the field in addition to the casting side of its business, RCI also helps with fossil preparation and specimen storage. Then, back at the Ontario facility, the casting department makes a mold directly from the bones. Applying digital laser scanners from Artec 3D (Luxembourg, U.K.) to scan the original bone, RCI is able to create an accurate reconstruction or, depending on the need, to enlarge or reduce the part for the exhibit, create mirror-image parts, or digitally sculpt missing parts. The molds themselves are made of room temperature-vulcanizing (or curing) RTV silicone rubber, and fiberglass for the mother mold. According to Fair, the companys 3D Systems (Rock Hill, S.C., U.S.) 3D printers are also sometimes used to create molds, or to build larger or smaller replicas.
Ready for casting. The finished mold for a Bracchiosaurus vertebrae replica is made of silicone (red) on top of a fiberglass mother mold. Source | RC
Depending on the size and weight requirements for the part, RCI uses mostly fiberglass mat or roving from suppliers including INEOS (Columbus, Ohio, U.S.), Polynt (Brampton, Ontario, Canada), or Composites Canada (Mississauga, Ontario, Canada), but they have also used carbon fiber for some of the largest parts that need to be the most lightweight, as well as Kevlar and other materials. Resins, often epoxy or others depending on the project, are supplied by companies including West System Inc. (Bay City, Mich., U.S.) and Smooth-On Inc. (Macungie, Pa., U.S.). The cast itself is then produced mainly via hand layup, which for some large parts, may also be vacuum-bagged; smaller parts may be made with chopped fiber dispensed via a spray gun is used. Next, the part is demolded, trimmed and set up on a metal armature alongside the rest of the skeleton. The composite designs, unlike the actual fossils, Fair says, often account for the metal frame running through the middle of the part, to hide the framing better. Finally, the part is finished with paint and gives the appearance of actual bone, and sometimes additional sculpted elements to give the appearance of skin.
Composites on display around the world
The first project Fair ever worked on was a fiberglass/polyester Allosaurus on display at the American Museum of Natural History in Washington D.C., U.S. Some of the largest projects RCI has done to date include nine all-composite replicas of Sue, the most complete T. rex skeleton discovered, which can be found in several museums as well as Disney Worlds Animal Kingdom in Orlando, Fla., U.S.
RCIs dinosaur casts can be found in museums globally, but the companys work isnt limited to museum dinosaurs, Fair says. Other projects topping his list include dinosaur replicas for the Jurassic Park movies, planetarium planets and fiberglass composite panels depicting geographical surfaces from around the world for the American Museum of Natural History. Its pretty neat to walk into a museum somewhere, or a theme park, notes Fair, and see your work on display.
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